For the first time in 131 years,
This month, in response to Australia’s postal survey on marriage equality,
“The word ‘love’ is reflective of our core values. If ever we were to experiment with Spencerian script, this is the time to do it,” said James Sommerville,
A Love Story
Looking at the word love as it appears on these cans, Sommerville is interested in what he calls the “anatomy of its typography.”
“The way the characters flow it seems to have a loving flavor to it – a loving construct – because it has almost been written by hand, like a love story," he explains.
True to the experience of
It is an extension of the company’s statement, “No matter who you are or who you love, all couples should be treated equally.”
Though historic in method, this is by no means
In conjunction with the release of the cans, the company celebrated its commitment to inclusion with this statement: “Coca-Cola believes in the power of bringing people together. Whether it was the struggle for human rights in the United States in the 1960’s to a group of young people from many nations on a hilltop in Italy in 1971, around the world we’ve always stood up for diversity, inclusion and equality.”
Coca-Cola’s South Pacific Design Lead Ian Swanson agrees, “Coca-Cola is for people; it’s for everyone – the human race in all its diversity. This was an opportunity to use our iconic packaging to express a simple, strong, critical idea.”
In considering this history of inclusion and the design of the love cans, Sommerville’s eye focuses just below the upper rim, which reads, classic.
The pairing of these words with ‘love’ gives Sommerville great pride. “We’ve been writing classic love stories since 1886 and this just adds another chapter to that heritage of great storytelling,” he says. “Being asked by the Australian Business Unit to collaborate with them in this design project is reflective of a new way of working.”
A Business Innovation Story
Once it was announced the postal survey would go forth, James Sommerville and his colleague Rapha Abreu, a Global Visual Identity Design Director, jumped into action to create the cans.
Two days later, the designs were crafted and approved. Nine days after that, with input from the local team, the cans were in Australians’ hands.
This rapid design sprint was an in-house collaboration between the
“These cans are a great example of what we can do with speed in two different markets and end on something magical,” Sommerville said. “This way of working represents a new era and new, iterative design methodology for the organization, yet on our most prestigious pack.”
He credits his colleagues in Australia for their progressive thinking in exploring new ideas. Among other innovative marketing strategies, the concept of Share a Coke, which enables consumers to customize their
With Share a Coke, the design team developed a Spencerian-inspired font to preserve the equity of the
But for this story of love, the signature script was worth bending for the first time.